Tuesday, 19 August 2008

Mp3 music: Human League






Human League
   

Artist: Human League: mp3 download


   Genre(s): 

Rock
Other
Pop

   







Human League's discography:


12 Inch Remixes [Cd1]
   

 12 Inch Remixes [Cd1]

   Year: 2003   

Tracks: 13
Greatest Hits [Virgin]
   

 Greatest Hits [Virgin]

   Year: 1995   

Tracks: 16
Secrets
   

 Secrets

   Year:    

Tracks: 16






Synth pop's first external superstars, the Human League were among the earlier and to the highest degree innovative bands to better into the pop mainstream on a wave of synthesizers and electronic rhythms, their wedding of infectious melodies and state Department of the art engineering science proving hugely influential on unnumbered acts of the Apostles following in their wake. The mathematical group was formed in Sheffield, England, in 1977 by synth players Martyn Ware and Ian Marsh, who'd antecedently teamed as the pair Dead Daughters; following a brief incumbency as the Future, they rechristened themselves the Human League after enlisting vocalist Philip Oakey. The trine before farseeing recorded a demonstration, and played their first gear alive dates; they shortly tapped Adrian Wright as their "Music director of Visuals," and his sailplaning shows speedily became a key part of their performances.


Sign language with the indie mark Fast, in 1978 the Human League issued their first single, "Existence Boiled"; a modest resistance hit, it was followed by a tour in documentation of Siouxsie & the Banshees. After a 1979 EP, The Dignity of Labour, the mathematical group released its number one full-length effort, Reproduction, a coloured, dense work influenced mostly by Kraftwerk. Travelog followed the next year and reached the U.K. Top 20; still, internal tensions forced Ware and Marsh to give up the grouping in tardy 1980, at which time they formed the British Electronic Foundation. Their loss forced Wright to begin acquisition to play the synthesizer; at the like sentence, Oakey recruited bassist Ian Burden as well as a couple of schoolgirls, Susanne Sulley and Joanne Catherall, to handle additional outspoken duties.


The number 1 single from the revamped Human League, 1981's "Boys and Girls," reached the British Top 50; recorded with producer Martin Rushent, the followup "Sound of the Crowd" fell but shy of the Top Ten. Their next single, "Love Action," reached figure 3, and afterwards adding ex-Rezillo Jo Callis the League issued "Undecided Your Heart," some other hit. Still, their straight breakthrough was the classical single "Don't You Want Me," from the album Dare!; both topped their various charts in England, and went on to become major hits in the U.S. as well. A tour of the States followed, just new music was exceedingly dull in coming; after a remix disk, Beloved and Dancing, the Human League finally issued 1983's Enthrallment! EP, scoring a match of hits with "Mirror Man" and "(Maintain Feeling) Fascination."


The much-anticipated full-length Hysteria finally surfaced in mid-1984, heralding a more forceful profound than earlier Human League releases; the record failed to match the massive success of Dare!, even so, with the unmarried "The Lebanon" earning insignificant airplay. The group presently went on indefinite hiatus, and Oakey recorded a 1985 solo LP with far-famed producer Giorgio Moroder titled simply Prince Philip Oakey & Giorgio Moroder. To the surprise of many, the Human League resurfaced in 1986 with Crash, produced by the duo of Jimmy Jam and Terry Lewis; the mournful lead undivided "Human" soon topped the U.S. charts, just the chemical group failed to capitalize on its comeback success, disappearing from the charts for the remainder of the decade.


When the Human League finally returned in 1990 with Romantic?, their chart momentum had again profligate, and the unmarried "Heart Like a Wheel" just managed to rise into the Top 40. The record was the band's last with longtime label Virgin; straightaway a trio consisting of Oakey, Sulley, and Catherall, they in the end signed with the EastWest mark, teaming with producer Ian Stanley for 1995's Octopus. The album went for the most part unnoticed both at base and overseas, with the unmarried "Stay With Me Tonight" issued solely in the U.K. A resurgent sake in synth bug out and post-punk during the early 2000s enabled the group's 2001 album Secrets considerable press coverage, which sawing machine the chemical group update its early wakeless. Four age by and by, they released Live at the Dome.